Last night my friend David “Wildcard” Tughan called me to say he had a spare ticket for an Oscar Peterson show in the Royal Albert Hall. Being as it was a fine summer’s evening, not to mention the fact that Oscar Peterson is regarded by many as the greatest jazz pianist of all time, I thought it seemed like the right thing to do. I grew up listening to his recordings, as my grandfather was, and still is, a big fan. Oscar is old now – 81 to be exact – and suffered a stroke a few years ago that seriously affected his left side… heartbreaking really, as the Peterson left hand was truly a legend in the jazz world, a powerhouse of rhythm and force of musical voodoo.
Standing outside the Royal Albert Hall is a great thing to do on a June evening. Black cabs pull up from all sides, and elegantly dressed ladies and gentlemen climb out to enjoy their concert evening. Its very civilised. I was just standing there wondering if I had enough time to hotfoot it up to High Street Kensington to grab a bowl of noodles – I was so hungry after a failed lunch date with one of my old mates from university, Jake – more on him later. In the end, I had to settle for a £1.80 bag of crisps from the bar.
Showtime. The Royal Albert Hall is magnificent inside. Really – it transports you to another world, and the anticipation is palpable on this evening. The lights dim, and out come the band. Some moments later, a hunched over figure emerges from the side-stage gloom, leaning heavily on his walking stick and moving really slowly… it is the great man. The stalls are on their feet already, and the applause around the venue is of that warmth reserved for an artist who has ingrained themselves into lives, into the very souls of the people listening. I think the whole place was a bit nervous too, wondering if he could still cut it despite his age and obvious degrading of his technical ability.
What followed was one of the strangest gigs I’ve been too. Magical at times, yes. Musically wonderful pretty much all of the time – and the band were seriously hot musicians too (wish I could play guitar like that guy) – but something strange happened… Oscar got confused. He played a tune called “Backyard blues”, introduced by him saying, “You know, for the last year I’ve been in a writing kind of mood… this is one you might like called ‘Backyard Blues’…” Then he played it. Rocked the place.
He followed that with a touching and beautiful piece for his wife, simply called “The Love Ballad.” Then, immediately, and with no introduction, he launched back into “Backyard Blues.” I thought it was going to be a short reprise or something, but no, he played the whole tune again, and finished up by saying, “That was ‘Backyard Blues’ – I’ve been in a writing kind of a mood for the past year or so.” Part of me was aching for him, wondering what was going on, did he know he’d played it twice? Not that it mattered – the whole premise of jazz is of course that once the head of a tune has been played, its a free-for-all, and its never the same twice.
He played a couple more numbers. After about an hour and a half, he stood up, and left the stage to huge applause. the lights came up. We thought that was it, so everyone headed for the stairs. Halfway down, an announcement came over the PA to say that was the interval!! Oscar was coming back on! Dave’s wife Shiri had spotted an empty row of seats near the front of the stalls, which we duly occupied in the mayhem.
Out he comes again. Sits down, and plays what I recognise as a mellower, piano-only version of “The Love Ballad” – again. It was even more beautiful than the first time he played it. Then he followed up with the last tune he’d played in the first half. Then he introduced a song that he’d written for his beloved wife called “The Love Ballad”. And played it for a third time. I didn’t know whether to laugh or cry – part of me was falling to bits inside, wondering if this great man was just losing it, or was he so consumed by this piece of music and love for his wife that he just couldn’t think of anything else.
You could sense an uncomfortable feeling rippling through the venue… I didn’t care that he was doing this – especially since it was such a beautiful piece of music which I could almost sing to you now – but other people clearly did.
They finished up with some high-tempo cookin’ jazz and the drummer relieved all the tension by ripping the living bollocks out of a solo in the last track. I’ve never seen such an expression of pure will and intensity on a drummer’s face in my life, except maybe John Bonham playing with Led Zeppelin in that very same venue. When Oscar finally stood up to leave the stage, the applause was deafening. But it was applause for the man, and not really the show… although the show was great for the most part, I think people just wanted to thank him for those recordings, for a life that has seen him play in the hottest jazz gigs of the last century, of all time, the smoky bars and the huge concert halls, with all the legends we dream of.